Cover the film
Presenting Sponsor
from$299
- We book the title you pick
- Social media posts in the run-up to the show
- Your name on the marquee
- Your name on screen before the film
Put your business behind a movie — and we'll tell the whole town who made it happen.
Happening this month
They're covering the cost of bringing the film to Fort Kent. In return, their name goes out with every post we make about the show, it's on the marquee on Hall Street, and it's on screen before the lights go down. One local business, one movie, a whole town that knows who paid for it.
That's the whole idea. You pick a film, we book it, and the credit is yours.
Each level builds on the one before it. Prices start here and depend on the title — some films cost us more to book than others.
Cover the film
from$299
Cover the film and admission
from$499
Cover the film, admission and popcorn
from$799
1140 titles available from Universal right now. More studios coming. Don't see what you want? Ask anyway — we'll find out.
| Title | Year | Rating | Runtime | Format |
|---|---|---|---|---|
| American Reunion | 2012 | R | 113 | Flat · 5.1 |
| American Wedding | 2003 | R | 97 | Scope · 5.1 |
| A Million Ways to Die in the West | 2014 | R | 116 | Scope · 5.1 |
| A Monster Calls | 2016 | PG-13 | 108 | Scope · 5.1, 7.1 |
| An American Tail | 1986 | G | 80 | Flat · 5.1 |
| An American Tail: Fievel Goes West | 1991 | G | 75 | Flat · 5.1 |
| An American Werewolf in London | 1981 | R | 97 | Flat · 5.1 · 4K Restoration |
| Anemone | 2025 | R | 125 | Scope · 5.1, 7.1 |
| Angel | 1937 | N/A | 91 | Flat (1.33) · 1 |
| Animal Crackers | 1930 | N/A | 98 | Flat (1.33) · 1 · 4K Restoration |
| Animal House | 1978 | R | 109 | Flat · 5.1 |
| Anna Karenina | 2012 | R | 131 | Scope · 5.1 |
| Anne of the Thousand Days | 1969 | PG | 145 | Scope · 4 |
| Antz | 1998 | PG | 83 | Flat · 5.1 |
| Apache Drums | 1951 | N/A | 75 | Flat (1.35) · 1 · 4K Restoration |
| A Perfect Getaway | 2009 | R | 97 | Scope · 5.1 |
| Apollo 13 | 1995 | PG | 140 | Scope · 5.1 · 4K Restoration |
| Arabesque | 1966 | N/A | 105 | Scope (2.35) · 1 · 4K Restoration; accessibility (captions) |
| Argylle | 2024 | PG-13 | 139 | Scope · 5.1, 7.1, Atmos, DTSX · 4K |
| Armageddon Time | 2022 | R | 114 | Scope · 5.1 · 4K |
| Army of Darkness | 1993 | R | 81 | Flat · 5.1 |
| As Above/so Below | 2014 | R | 93 | Flat · 5.1, 7.1 |
| A Serious Man | 2009 | R | 105 | Flat · 5.1 · 4K |
| Asteroid City | 2023 | PG-13 | 105 | Scope · 5.1 · 4K; Scope Container: Color portion (2.39), B/W (1.37) |
| A Thousand and One | 2023 | R | 117 | Flat · 5.1 · 4K |
| A Time to Love and a Time to Die | 1958 | N/A | 132 | Scope · 1 |
| Atomic Blonde | 2017 | R | 115 | Scope · 5.1, 7.1, Atmos, DTSX |
| Atonement | 2007 | R | 123 | Flat · 5.1 |
| A Walk Among the Tombstones | 2014 | R | 114 | Scope · 5.1 |
| Away We Go | 2009 | R | 98 | Scope · 5.1 |
| Babe | 1995 | G | 89 | Flat · 5.1 |
| Babe: Pig in the City | 1998 | G | 96 | Flat · 5.1 |
| Babies | 2010 | G | 79 | Flat · 5.1 |
| Baby Mama | 2008 | PG-13 | 99 | Flat · 5.1 |
| Backbeat | 1994 | R | 100 | Flat · 5.1 |
| Backdraft | 1991 | R | 137 | Scope · 5.1 · 4K Remaster |
| Back Street (1932) | 1932 | N/A | 89 | Flat (1.35) · 1 · 4K Restoration |
| Back to Black | 2024 | R | 123 | Flat · 5.1, 7.1, Atmos · 4K |
| Back to the Future | 1985 | PG | 116 | Flat · 5.1, 7.1, Atmos · 4K Remaster |
| Back to the Future Part Ii | 1989 | PG | 108 | Flat · 5.1 · 4K Remaster |
| Back to the Future Part Iii | 1990 | PG | 118 | Flat · 5.1 · 4K Remaster |
| Bad Words | 2014 | R | 89 | Scope · 5.1 |
| Balls of Fury | 2007 | PG-13 | 90 | Flat · 5.1 |
| Balto | 1995 | G | 78 | Flat · 5.1 |
| Barb Wire | 1996 | R | 99 | Flat · 5.1 |
| Baseketball | 1998 | R | 103 | Flat · 5.1 |
| Bathtubs Over Broadway | 2018 | PG-13 | 87 | Flat · 5.1 |
| Battle Hymn | 1957 | N/A | 108 | Scope · 1 |
| Battleship | 2012 | PG-13 | 131 | Scope · 5.1 |
| Battlestar Galactica | 1979 | PG | 124 | Flat · 1.1 |
Tell us a bit about your business and we'll take it from there. Nothing is committed by sending this — it just starts the conversation.